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In the early Eighties, the home recording boom was really getting underway.
I wrote this linear piece of bizarre music, with all these polyrhythms, and I recorded it eight times on each of the eight tracks, each time changing the [ tracks originated as wild studio experiments or even jokes. And because these tracks were basically goofball home recordings, Vai’s initial thought was merely to press up the music on a limited run of flexi discs that he would give to friends.This page is based on a Wikipedia article written by contributors (read/edit).Text is available under the CC BY-SA 4.0 license; additional terms may apply.And now the indie concept was fueling another kind of rock phenomenon. “To this day, Sony distributes , and they have to account to me for .50 for every CD sold,” Vai says. I spent five months and ,000—money I earned giving guitar lessons—and I built this studio, Stucco Blue, in that backyard shed. I went out, bought the wood, built the studio and put the gear in, entirely by myself.“That’s more than they’ve ever paid any artist in history, I’m sure. ] machine that I mixed down to and that I ended up purchasing from him.