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Critics, by and large, absolutely love them: the Rock and Roll Hall of Fame not only elected them in 1994, but also has an entire wing devoted to the band's history.Yet despite their massive success and following, and despite an ever-growing number of people who have a strong familiarity and love for the band's whole history, the % of music fans who really know the group is pretty small.On the other hand, while the earlier albums still found the band in its "research and development" stage, that doesn't mean they should be dismissed.The classic albums did a good job of refining the band's earlier ideas into something more easily swallowed by the general public, but many of these ideas were, in my opinion, done just as interestingly on the earlier albums, if not more so.They were one of the most technophilian bands I've ever heard in my life, relying on sound effects like mad and featuring all kinds of processed keyboard and guitar noises, yet it is extremely rare to find somebody nowadays who considers a classic Pink Floyd album "artificial" sounding.Their greatest commercial successes were with a concept album that shoved classic rock and smooth jazz styles into a prog rock format, a tribute album to their original frontman (whose main feature is a 25-minute synth-based art-rock suite, split in two), and a double-length rock opera released after the punk revolution.

They were one of the best representatives of the underground psychedelic London scene of 1967, yet unlike so many other good bands that originated in that era, they were able to successfully evolve into something better and WAY more popular, even after losing their frontman and main creative force after one album.This is a band that makes no freaking sense, and I love them for it.History has done a really strange job of treating the band's legacy, though.They were a rock band that did great songs despite melodies that were usually very good but not stellar (and I stand by that), and despite having very few "classic" riffs.They were a band that regularly engaged in lengthy, "self-indulgent" instrumental noodling, while almost never displaying raw chops on the level of the instrumentalists of the more popular prog rock bands of the day.

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